Casino Royale ist ein Fernsehfilm aus dem Jahr , der auf Ian Flemings erstem James-Bond-Roman Casino Royale basiert. Die Sendung wurde als dritte. James Bond Ein Quantum Trost ( Originaltitel: Quantum of Solace) ist ein. Beschreibung. Casino Royale Logo. Quelle. elbenny.se elbenny.se?id= Urheber bzw. Nutzungsrechtinhaber. Casino Royale. During production, Craig had been subject to debate by the live livestream and the public, as Beste Spielothek in Berlin-Blankenfelde finden did not appear to fit Ian Fleming's original portrait of the character as tall, dark and suave. Leningrad would quickly cover up his defalcations and make no deposit casino sign up into a martyr. Bond guessed they would be stayers. They must have been on to you for several days before you arrived. Beste Spielothek in Rittmitz finden mouth felt suddenly as dry as flock wall-paper. This led to Eon Productions making the film Casino Royale. Quite the toque deutsch to my Bond! They were smiling and talking to each other. She seemed to Bond to give a quick involuntary shrug of the shoulders as she spoke, but then she leant impulsively towards him. In a gmt+9 he geld mit spielen verdienen out and over the entrance a small blue light burned the warning that M. Casting involved a widespread search for a new actor to casino royale wiki Pierce Brosnan as James Bond; the choice of Craig, announced in Octoberdrew controversy. It squinted up at him like a black widow spider.
Casino Royale Wiki VideoThe name is Bond James Bond - Casino Royale Filmdaten Originaltitel Casino Royale. David Hedison Roy Stewart. In der Zeit, in der M von Judi Dench dargestellt wurde bis , residiert M in einem modern ausgestatteten Büroraum. Bereits in Octopussy stellte sie mit Miss Penelope Smallbone ihre neue Assistentin vor, war jedoch im folgenden Film noch einmal dabei. James Bond erhält den Auftrag, gegen Le Chiffre zu spielen und ihn so kaltzustellen. White zu töten, doch der hat sich bereits das Leben genommen. Das Gipfelrestaurant Ice Q am Gaislachkogel. Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. November statt, doch die Totenparade tausender verkleideter Menschen in Mexiko-Stadt gab es bisher nicht. Beim Versuch, den Film rauer und wirklichkeitsnäher zu machen, sei alles andere in seiner Umgebung künstlicher geworden. Kurz vor Siena entkommt er ihnen und fährt dann durch ein Tor in ein Gebäude. Kim Basinger Barbara Carrera. Die folgenden 5 Seiten verwenden diese Datei:
Casino royale wiki -Valerie Mathis Michael Pate: In den Büchern wird deutlich, dass die Aufgaben eines Agenten brutal, anstrengend und psychisch belastend sind. Der Film erschien am Le Chiffre muss nun fürchten, wegen des Verlustes von seiner Organisation eliminiert zu werden, und entführt Valerie, um Bond zur Herausgabe des vom Casino ausgestellten Schecks über diesen Betrag zu zwingen. Gregg Beam Tim Pigott-Smith:
wiki casino royale -Während die Gespielinnen des Hauptdarstellers in den frühen Filmen noch sehr rasch den Reizen des Agenten unterlagen, spielten die Darstellerinnen der Bond-Girls besonders seit den er Jahren deutlich charakterstärkere Typen, die ihren eigenen Willen durchzusetzen vermochten. Die beiden dringen in das Hotel ein, als Greene gerade die Verträge unterzeichnen lässt. Sie landen unverletzt in einer Höhle, in der Bond von Camille erfährt, dass Medrano ihre Familie ausgelöscht hat. Die Dreharbeiten in Panama-Stadt begannen am 7. Feldman entschied sich dann dafür, aus dem Stoff eine Bond-Parodie zu machen. Herr Mendel Clemens Schick: In Lizenz zum Töten stellt sich Q trotz Bonds Rücktritt vom MI6 auf dessen Seite und versorgt ihn nicht nur mit technischen Spielereien, sondern unterstützt ihn auch bei seinem Vorhaben.
Quantum of Solace continues directly from this movie, making it among the few Bond movies that elaborate a greater story arc instead of the standalone format.
The film is in fact the third and certainly best production of Casino Royale. Its predecessors were made by companies other than EON. Neither can be considered in any way canon, and both took a lot of liberties with the story and character of course, true to form, this film took its own liberties:.
Arm yourself, because no one else here will save you The odds will betray you And I will replace you I suppose I don't have to tell you how beautiful you look.
Half the people on that table are still watching you. How did he die? Made you feel it, did he? Casino Royale had been produced as a television episode and a satirical film.
He explained, "the draft that was there was very faithful to the book and there was a confession, so in the original draft the character confessed and killed herself.
She then sent Bond to chase after the villains; Bond chased the villains into the house. I don't know why but I thought that Vesper had to be in the sinking house and Bond has to want to kill her and then try and save her.
Director Quentin Tarantino expressed interest in directing an adaptation of Casino Royale ,  but Eon were not interested.
He claims to have worked behind the scenes with the Fleming family, and believed this was the reason why filmmakers finally went ahead with Casino Royale.
In February , Martin Campbell was announced as the film's director. Eon believed that they had relied too heavily on CGI effects in the more recent films, particularly Die Another Day , and were keen to accomplish the stunts in Casino Royale "the old fashioned way".
Pierce Brosnan had signed a deal for four films when he was cast in the role of James Bond. This was fulfilled with the production of Die Another Day in At this stage, Brosnan was approaching his 50th birthday.
Brosnan kept in mind fans and critics were not happy with Roger Moore playing Bond until he was 58 and speculation began that the producers were seeking to replace Brosnan with a younger actor.
At one point, producer Michael G. Wilson claimed there was a list of over names being considered for his replacement. Wilson and Barbara Broccoli had assured him he would get the role of Bond, and Matthew Vaughn told reporters MGM offered him the opportunity to direct the new film, but Eon Productions at that point had not approached either of them.
Craig read all of Fleming's novels to prepare for the part, and cited Mossad and British Secret Service agents who served as advisors on the set of Munich as inspiring because, "Bond has just come out of the service and he's a killer.
These guys walk into a room and very subtly they check the perimeters for an exit. That's the sort of thing I wanted.
Throughout the entire production period, Internet campaigns such as "danielcraigisnotbond. The next important casting was that of the lead Bond girl , Vesper Lynd.
Principal photography for Casino Royale commenced on 3 January and concluded on 20 July The film was primarily shot at Barrandov Studios in Prague, with additional location shooting in the Bahamas , Italy and the United Kingdom.
The shoot concluded at Pinewood Studios. However, Eon Productions encountered problems in securing film locations in South Africa.
In September , Martin Campbell and director of photography Phil Meheux were scouting Paradise Island in the Bahamas as a possible location for the film.
In addition to the extensive location filming, studio work including choreography and stunt co-ordination practice was performed at the Barrandov Studios in Prague, and at Pinewood Studios, where the film used several stages, the paddock tank and the Stage.
Further shooting in the UK was scheduled for Dunsfold Aerodrome in Surrey, the cricket pavilion at Eton College although that scene was cut from the completed movie and the Millbrook Vehicle Proving Ground in Bedfordshire.
After Prague, the production moved to the Bahamas. Several locations around New Providence were used for filming during February and March, particularly on Paradise Island.
Other scenes in the latter half of the film were shot in late May and early June at the Villa del Balbianello on the shores of Lake Como.
A recreation of the Body Worlds exhibit provided a setting for one scene in the film. The exhibition's developer and promoter, German anatomist Gunther von Hagens , also has a cameo appearance in the film,  although only his trademark hat is actually visible on screen.
In designing the credit sequence for the film, graphic designer Daniel Kleinman was inspired by the cover of the British first edition of Casino Royale , which featured Ian Fleming's original design of a playing card bordered by eight red hearts dripping with blood.
Kleinman said, "The hearts not only represent cards but the tribulations of Bond's love story. So I took that as inspiration to use playing card graphics in different ways in the titles," like a club representing a puff of gun smoke, and slashed arteries spurting thousands of tiny hearts.
Kleinman decided not to use the female silhouettes commonly seen throughout the Bond title sequences, considering that the women did not fit with both the film's spirit and the storyline following Bond falling in love.
For the rest of the film, Chris Corbould , the special effects and miniature effects supervisor, returned to a more realistic style of film making and significantly reduced digital effects.
According to Corbould, "CGI is a great tool and can be very useful, but I will fight to the tooth and nail to do something for real.
It's the best way to go". First on the schedule were the scenes on the Madagascar building site, shot in the Bahamas on the site of a derelict hotel which Michael G.
The stunt team built a model and put forward several ways in which the digger could conceivably take out the concrete, including taking out the pillar underneath.
A section of the concrete wall was removed to fit the digger and reinforced with steel. The modified aircraft had the outboard engines replaced by external fuel tanks, while the inboard engines were replaced by a mock-up pair of engines on each inboard pylon.
The cockpit profile was altered to make the look like a prototype of an advanced airliner. The sinking of the Venetian house at the climax of the film featured the largest rig ever built for a Bond film.
The rig, weighing some 90 tons, incorporated electronics with hydraulic valves which were closely controlled by computer because of the dynamic movement within the system on its two axes.
The same computer system also controlled the exterior model, which the effects team had built to one-third scale in order to film the building eventually collapsing into the Venetian canal.
The model elevator within the rig could be immersed in 19 feet 5. The soundtrack of Casino Royale , released by Sony Classical Records on 14 November , featured music composed by veteran composer David Arnold , his fourth soundtrack for the Bond film series, while Nicholas Dodd orchestrated and conducted the score.
The classic theme only plays during the end credits to signal the climax of his character arc. Only two days following the premiere, unlicensed copies appeared for sale in London.
Craig himself was offered such a DVD while walking anonymously through the streets of Beijing wearing a hat and glasses to avoid being identified.
In January , Casino Royale became the first Bond film ever to be shown in mainland Chinese cinemas. The Chinese version was edited before release, with the reference to the Cold War re-dubbed and new dialogue added during the poker scene explaining the process of Texas hold 'em , as the game is less familiar in China this addition is reminiscent of dialogue that was added to the American TV adaptation to explain the rules of baccarat , the game featured in the original book.
Casino Royale was the 4th highest-grossing film of , and was the highest-grossing instalment of the James Bond series until Skyfall surpassed it in November As well as features present from the release, the collector's edition contains an audio commentary , deleted scenes, featurettes and a storyboard-to-film comparison.
Casino Royale was released a third time on Blu-ray in with DTS audio and deleted scenes, but with less special features than the edition. In the United States, two fight scenes were censored to achieve a PG rating: The German edit of the film cuts a sequence where the bomb-planter at the airport breaks a man's neck, instead replacing it with an alternative take.
The mainland Chinese cut of the film also trims the torture scene and the stairway fight, as well as a shot of Bond cleaning his wound at the hotel, and a boat scene.
Critics responded with praise to the film, in particular to Craig's performance and credibility. During production, Craig had been subject to debate by the media and the public, as he did not appear to fit Ian Fleming's original portrait of the character as tall, dark and suave.
The Times compared Craig's portrayal of the character to that of Timothy Dalton , and praised the action as "edgy",  with another reviewer citing in particular the action sequence involving the cranes in Madagascar.
The film was similarly well received in North America. MSNBC gave the movie a perfect 5 star rating.
The site's critical consensus reads, " Casino Royale disposes of the silliness and gadgetry that plagued recent James Bond outings, and Daniel Craig delivers what fans and critics have been waiting for: This is a screwed-up Bond, a rogue Bond, a bounder, a scrapper and, in the movie's astoundingly bleak coda, an openhearted lover.
Vicky Allan of the Sunday Herald noted Bond himself, and not his love interests, was sexually objectified in this film. A moment where he rises from the sea is reminiscent of Ursula Andress in Dr.
No ; he feels "skewered" by Vesper Lynd's criticism of him; "and though it would be almost unthinkable now have a female character in a mainstream film stripped naked and threatened with genital mutilation, that is exactly what happens to Bond in [the film].
Furthermore, I consider Daniel Craig to be the most effective and appealing of the six actors who have played , and that includes even Sean Connery.
Roger Moore wrote, "Daniel Craig impressed me so greatly in his debut outing, Casino Royale , by introducing a more gritty, unrefined edge to the character that I thought Sean [Connery] might just have to move over.
Craig's interpretation was like nothing we'd seen on screen before; Jimmy Bond was earning his stripes and making mistakes.
It was intriguing to see him being castigated by M, just like a naughty schoolboy would be by his headmaster. The script showed him as a vulnerable, troubled, and flawed character.
Quite the opposite to my Bond! Craig was, and is, very much the Bond Ian Fleming had described in the books — a ruthless killing machine.
It was a Bond that the public wanted. However, the film met with mixed reactions from other critics.
Rob Gonsalves of eFilmCritic. Though American radio personality Michael Medved gave the film three stars out of four, describing it as "intriguing, audacious and very original In December , Casino Royale was named the best film of the year by viewers of Film The film appeared on many critics' top ten lists of the best films of From Wikipedia, the free encyclopedia.
This article is about the film. While he and Mathis talked, he turned from time to time towards her, politely including her in the conversation, but adding up the impressions recorded by each glance.
Her hair was very black and she wore it cut square and low on the nape of the neck, framing her face to below the clear and beautiful line of her jaw.
Although it was heavy and moved with the movements of her head, she did not constantly pat it back into place, but let it alone.
Her eyes were wide apart and deep blue and they gazed candidly back at Bond with a touch of ironical disinterest which, to his annoyance, he found he would like to shatter, roughly.
Her skin was lightly suntanned and bore no trace of make-up except on her mouth which was wide and sensual. Her bare arms and hands had a quality of repose and the general impression of restraint in her appearance and movements was carried even to her finger nails which were unpainted and cut short.
Round her neck she wore a plain gold chain of wide flat links and on the fourth finger of the right hand a broad topaz ring. The skirt was closely pleated and flowered down from a narrow, but not a thin, waist.
She wore a three-inch, hand-stitched black belt. Her shoes were square-toed of plain black leather. Bond was excited by her beauty and intrigued by her composure.
The prospect of working with her stimulated him. At the same time he felt a vague disquiet. On an impulse he touched wood.
I must arrange my rendezvous for dinner tonight. Bond took the cue and, as Mathis crossed the room to the telephone booth beside the bar, he said: She smiled with the first hint of conspiracy she had shown.
Perhaps I will bring you luck. With Mathis gone, her attitude towards him showed a sudden warmth. She seemed to acknowledge that they were a team and, as they discussed the time and place of their meeting, Bond realized that it would be quite easy after all to plan the details of his project with her.
He felt that after all she was interested and excited by her role and that she would work willingly with him.
He had imagined many hurdles before establishing a rapport, but now he felt he could get straight down to professional details.
He was quite honest to himself about the hypocrisy of his attitude towards her. As a woman, he wanted to sleep with her but only when the job had been done.
When Mathis came back to the table Bond called for his bill. He explained that he was expected back at his hotel to have lunch with friends. When for a moment he held her hand in his he felt a warmth of affection and understanding pass between them that would have seemed impossible half an hour earlier.
Mathis moved his chair close to hers and said softly: I am glad you have met each other. I can already feel the ice-floes on the two rivers breaking up.
It will be a new experience for him. The sentence was never finished. Suddenly a few feet away the entire plate-glass window shivered into confetti.
The blast of a terrific explosion, very near, hit them so that they were rocked back in their chairs. There was an instant of silence. Some objects pattered down on to the pavement outside.
Bottles slowly toppled off the shelves behind the bar. Then there were screams and a stampede for the door. When Bond left the bar he walked purposefully along the pavement flanking the tree-lined boulevard towards his hotel a few hundred yards away.
The day was still beautiful, but by now the sun was very hot and the plane-trees, spaced about twenty feet apart on the grass verge between the pavement and the broad tarmac, gave a cool shade.
There were few people abroad and the two men standing quietly under a tree on the opposite side of the boulevard looked out of place.
There was something rather disquieting about their appearance. They were both small and they were dressed alike in dark and, Bond reflected, rather hot-looking suits.
They had the appearance of a variety turn waiting for a bus on the way to the theatre. Each wore a straw hat with a thick black ribbon as a concession, perhaps, to the holiday atmosphere of the resort, and the brims of these and the shadow from the tree under which they stood obscured their faces.
Incongruously, each dark, squat little figure was illuminated by a touch of bright colour. They were both carrying square camera-cases slung from the shoulder.
By the time Bond had taken in these details, he had come to within fifty yards of the two men. He was reflecting on the ranges of various types of weapon and the possibilities of cover when an extraordinary and terrible scene was enacted.
Red-man seemed to give a short nod to Blue-man. With a quick movement Blue-man unslung his blue camera-case. Blue-man, and Bond could not see exactly as the trunk of a plane-tree beside him just then intervened to obscure his vision, bent forward and seemed to fiddle with the case.
Then with a blinding flash of white light there was the ear-splitting crack of a monstrous explosion and Bond, despite the protection of the tree-trunk, was slammed down to the pavement by a solid bolt of hot air which dented his cheeks and stomach as if they had been made of paper.
He lay, gazing up at the sun, while the air or so it seemed to him went on twanging with the explosion as if someone had hit the bass register of a piano with a sledgehammer.
When, dazed and half-conscious, he raised himself on one knee, a ghastly rain of pieces of flesh and shreds of blood-soaked clothing fell on him and around him, mingled with branches and gravel.
Then a shower of small twigs and leaves. From all sides came the sharp tinkle of falling glass. Above in the sky hung a mushroom of black smoke which rose and dissolved as he drunkenly watched it.
There was an obscene smell of high explosive, of burning wood, and of, yes, that was it — roast mutton. For fifty yards down the boulevard the trees were leafless and charred.
Opposite, two of them had snapped off near the base and lay drunkenly across the road. Between them there was a still smoking crater.
Of the two men in straw hats, there remained absolutely nothing. But there were red traces on the road, and on the pavements and against the trunks of the trees, and there were glittering shreds high up in the branches.
It was Mathis who got to him first, and by that time Bond was standing with his arm round the tree which had saved his life. Stupefied, but unharmed, he allowed Mathis to lead him off towards the Splendide from which guests and servants were pouring in chattering fright.
Mathis paused only to turn on the radio in front of the fireplace, then, while Bond stripped off his blood-flecked clothes, Mathis sprayed him with questions.
He is unhurt and they are not to worry him. I will explain to them in half an hour. They should tell the Press that it was apparently a vendetta between two Bulgarian communists and that one killed the other with a bomb.
They need say nothing of the third Bulgar who must have been hanging about somewhere, but they must get him at all costs.
He will certainly head for Paris. It must have been faulty. They intended to throw it and then dodge behind their tree. But it all came out the other way round.
We will discover the facts. And these people appear to be taking you seriously. And what was the significance of the red and the blue cases?
We must try and find some fragments of the red one. Mathis bit his nails. He was excited and his eyes glittered.
This was becoming a formidable and dramatic affair, in many aspects of which he was now involved personally.
Mathis turned off the radio and waved an affectionate farewell. The door slammed and silence settled on the room.
Bond sat for a while by the window and enjoyed being alive. Bond shook himself, then he picked up his knife and selected the thickest of the pieces of hot toast.
He dipped the knife into the glass of very hot water which stood beside the pot of Strasbourg porcelain and reminded himself to tip the waiter doubly for this particular meal.
Bond was determined to be completely fit and relaxed for a gambling session which might last most of the night. After the remains of his luncheon had been removed, he sat at his window gazing out to sea until there came a knock on the door as the masseur, a Swede, presented himself.
Silently he got to work on Bond from his feet to his neck, melting the tensions in his body and calming his still twanging nerves. After a cold shower, Bond walked over to the Casino.
Since the night before he had lost the mood of the tables. He needed to re-establish that focus which is half mathematical and half intuitive and which, with a slow pulse and a sanguine temperament, Bond knew to be the essential equipment of any gambler who was set on winning.
Bond had always been a gambler. He loved the dry riffle of the cards and the constant unemphatic drama of the quiet figures round the green tables.
He liked the solid, studied comfort of card-rooms and casinos, the well-padded arms of the chairs, the glass of champagne or whisky at the elbow, the quiet unhurried attention of good servants.
He was amused by the impartiality of the roulette ball and of the playing cards — and their eternal bias. There was only oneself to praise or blame.
Luck was a servant and not a master. Luck had to be accepted with a shrug or taken advantage of up to the hilt. But it had to be understood and recognized for what it was and not confused with a faulty appreciation of the odds, for, at gambling, the deadly sin is to mistake bad play for bad luck.
And luck in all its moods had to be loved and not feared. Bond saw luck as a woman, to be softly wooed or brutally ravaged, never pandered to or pursued.
But he was honest enough to admit that he had never yet been made to suffer by cards or by women. One day, and he accepted the fact, he would be brought to his knees by love or by luck.
When that happened he knew that he too would be branded with the deadly question-mark he recognized so often in others, the promise to pay before you have lost: He always did this although he knew that each turn of the wheel, each fall of the ball into a numbered slot, has absolutely no connexion with its predecessor.
He accepted that the game begins afresh each time the croupier picks up the ivory ball with his right hand, gives one of the four spokes of the wheel a controlled twist clockwise with the same hand, and with a third motion, also with the right hand, flicks the ball round the outer rim of the wheel anti-clockwise, against the spin.
It was obvious that all this ritual and all the mechanical minutiae of the wheel, of the numbered slots and the cylinder, had been devised and perfected over the years so that neither the skill of the croupier nor any bias in the wheel could affect the fall of the ball.
And yet it is a convention among roulette players, and Bond rigidly adhered to it, to take careful note of the past history of each session and to be guided by any peculiarities in the run of the wheel.
To note, for instance, and consider significant, sequences of more than two on a single number or of more than four at the other chances down to evens.
He simply maintained that the more effort and ingenuity you put into gambling, the more you took out. It was his practice to play always with the wheel, and only to turn against its previous pattern and start on a new tack after a zero had turned up.
So he decided to play one of his favourite gambits and back two — in this case the first two — dozens, each with the maximum — one hundred thousand francs.
He thus had two-thirds of the board covered less the zero and, since the dozens pay odds of two to one, he stood to win a hundred thousand francs every time any number lower than 25 turned up.
After seven coups he had won six times. He lost on the seventh when thirty came up. His net profit was half a million francs.
He kept off the table for the eighth throw. This piece of luck cheered him further and, accepting the thirty as a finger-post to the last dozen, he decided to back the first and last dozens until he had lost twice.
Ten throws later the middle dozen came up twice, costing him four hundred thousand francs, but he rose from the table eleven hundred thousand francs to the good.
Directly Bond had started playing in maximums, his game had become the centre of interest at the table. As he seemed to be in luck, one or two pilot fish started to swim with the shark.
Sitting directly opposite, one of these, whom Bond took to be an American, had shown more than the usual friendliness and pleasure at his share of the winning streak.
When Bond rose, he too pushed back his chair and called cheerfully across the table:. Bond had a feeling that this might be the C.
But I do like that one to be large and very strong and very cold and very well-made. I hate small portions of anything, particularly when they taste bad.
He watched carefully as the deep glass became frosted with the pale golden drink, slightly aerated by the bruising of the shaker.
He reached for it and took a long sip. He lowered his voice:. Leiter shook a Chesterfield out of his pack. Our people are definitely interested.
I expect your fellows are much the same in London. But, anyway, here I am. It turned out that Leiter was from Texas. While he talked on about his job with the Joint Intelligence Staff of N.
Felix Leiter was about thirty-five. He was tall with a thin bony frame and his lightweight, tan-coloured suit hung loosely from his shoulders like the clothes of Frank Sinatra.
His movements and speech were slow, but one had the feeling that there was plenty of speed and strength in him and that he would be a tough and cruel fighter.
As he sat hunched over the table, he seemed to have some of the jack-knife quality of a falcon. There was this impression also in his face, in the sharpness of his chin and cheek-bones and the wide wry mouth.
His grey eyes had a feline slant which was increased by his habit of screwing them up against the smoke of the Chesterfields which he tapped out of the pack in a chain.
The permanent wrinkles which this habit had etched at the corners gave the impression that he smiled more with his eyes than with his mouth.
A mop of straw-coloured hair lent his face a boyish look which closer examination contradicted. Although he seemed to talk quite openly about his duties in Paris, Bond soon noticed that he never spoke of his American colleagues in Europe or in Washington and he guessed that Leiter held the interests of his own organization far above the mutual concerns of the North Atlantic Allies.
Bond sympathized with him. By the time Leiter had swallowed another whisky and Bond had told him about the Muntzes and his short reconnaissance trip down the coast that morning, it was seven-thirty, and they decided to stroll over to their hotel together.
Before leaving the Casino, Bond deposited his total capital of twenty-four million at the caisse, keeping only a few notes of ten mille as pocket-money.
As they walked across to the Splendide, they saw that a team of workmen was already busy at the scene of the explosion.
Several trees were uprooted and hoses from three municipal tank cars were washing down the boulevard and pavements.
The bomb-crater had disappeared and only a few passers-by had paused to gape. Bond assumed that similar face-lifting had already been carried out at the Hermitage and to the shops and frontages which had lost their windows.
Bond was not sure, and said so. Mathis had been unable to enlighten him. All concierges are venal. It is not their fault.
They are trained to regard all hotel guests except maharajahs as potential cheats and thieves. They have as much concern for your comfort or well-being as crocodiles.
Bond thought it well to say that he still felt a little shaky. Bond walked up to his room, which again showed no sign of trespass, threw off his clothes, took a long hot bath followed by an ice-cold shower and lay down on his bed.
There remained an hour in which to rest and compose his thoughts before he met the girl in the Splendide bar, an hour to examine minutely the details of his plans for the game, and for after the game, in all the various circumstances of victory or defeat.
He had to plan the attendant roles of Mathis, Leiter, and the girl and visualize the reactions of the enemy in various contingencies.
He closed his eyes and his thoughts pursued his imagination through a series of carefully constructed scenes as if he was watching the tumbling chips of coloured glass in a kaleidoscope.
At twenty minutes to nine he had exhausted all the permutations which might result from his duel with Le Chiffre.
He rose and dressed, dismissing the future completely from his mind. As he tied his thin, double-ended, black satin tie, he paused for a moment and examined himself levelly in the mirror.
His grey-blue eyes looked calmly back with a hint of ironical inquiry and the short lock of black hair which would never stay in place slowly subsided to form a thick comma above his right eyebrow.
With the thin vertical scar down his right cheek the general effect was faintly piratical. Not much of Hoagy Carmichael there, thought Bond, as he filled a flat, light gunmetal box with fifty of the Morland cigarettes with the triple gold band.
He slipped the case into his hip pocket and snapped his black oxidized Ronson to see if it needed fuel. After pocketing the thin sheaf of ten-mille notes, he opened a drawer and took out a light chamois leather holster and slipped it over his left shoulder so that it hung about three inches below his arm-pit.
He then took from under his shirts in another drawer a very flat. He charged the weapon again, loaded it, put up the safety catch and dropped it into the shallow pouch of the shoulder-holster.
He looked carefully round the room to see if anything had been forgotten and slipped his single-breasted dinner-jacket coat over his heavy silk evening shirt.
He felt cool and comfortable. He verified in the mirror that there was absolutely no sign of the flat gun under his left arm, gave a final pull at his narrow tie and walked out of the door and locked it.
Her dress was of black velvet, simple and yet with the touch of splendour that only half a dozen couturiers in the world can achieve.
There was a thin necklace of diamonds at her throat and a diamond clip in the low vee which just exposed the jutting swell of her breasts.
She carried a plain black evening bag, a flat object which she now held, her arm akimbo, at her waist.
Her jet black hair hung straight and simple to the final inward curl below the chin. She put her arm through his.
It marks when you sit down. And, by the way, if you hear me scream tonight, I shall have sat on a cane chair. She gave him an amused glance and he corrected himself: For an instant he felt nettled at the irony, the lightest shadow of a snub, with which she had met his decisiveness, and at the way he had risen to her quick glance.
The fashionable part of the restaurant was beside the wide crescent of window built out like the broad stern of a ship over the hotel gardens, but Bond had chosen a table in one of the mirrored alcoves at the back of the great room.
These had survived from Edwardian days and they were secluded and gay in white and gilt, with the red silk-shaded table and wall lights of the late Empire.
As they deciphered the maze of purple ink which covered the double folio menu, Bond beckoned to the sommelier. He turned to his companion.
He said to her abruptly: Apparently they wanted to remember it. An idea struck him. Can I have it? And now have you decided what you would like to have for dinner?
Is it very shameless to be so certain and so expensive? While mademoiselle is enjoying the strawberries, I will have half an avocado pear with a little French dressing.
It comes partly from being a bachelor, but mostly from a habit of taking a lot of trouble over details. She seemed to Bond to give a quick involuntary shrug of the shoulders as she spoke, but then she leant impulsively towards him.
He was longing to tell you himself. Bond looked round, but there was no possibility of being overheard, and the caviar would be waiting for the hot toast from the kitchens.
At the road-block his French was so bad that they asked for his papers and he brought out a gun and shot one of the motor-cycle patrol. Then they took him down to Rouen and extracted the story — in the usual French fashion, I suppose.
They were to get two million francs for killing you and the agent who briefed them told them there was absolutely no chance of being caught if they followed his instructions exactly.
He said the bright colours would make it easier for them. He told them that the blue case contained a very powerful smoke-bomb. The red case was the explosive.
As one of them threw the red case, the other was to press a switch on the blue case and they would escape under cover of the smoke. In fact, the smoke-bomb was a pure invention to make the Bulgars think they could get away.
Both cases contained an identical high-explosive bomb. There was no difference between the blue and the red cases. The idea was to destroy you and the bomb-throwers without trace.
Presumably there were other plans for dealing with the third man. It would be better, they thought, to touch off the smoke-bomb first and, from inside the cloud of smoke, hurl the explosive bomb at you.
What you saw was the assistant bomb-thrower pressing down the lever on the phony smoke-bomb and, of course, they both went up together.
When he saw what had happened, he assumed they had bungled. But the police picked up some fragments of the unexploded red bomb and he was confronted with them.
When he saw that they had been tricked and that his two friends were meant to be murdered with you, he started to talk.
She finished her story just as the waiters arrived with the caviar, a mound of hot toast, and small dishes containing finely chopped onion and grated hard-boiled egg, the white in one dish and the yolk in another.
After a while Bond said: For them it certainly was a case of being hoist with their own petard. What section are you in? It seemed only to be a liaison job, so M.
All they knew was that I was to work with a Double O. Probably quite decent people. They just got caught up in the gale of the world like that Yugoslav that Tito bumped off.
How do you like the grated egg with your caviar? Suddenly he regretted the intimacy of their dinner and of their talk. He felt he had said too much and that what was only a working relationship had become confused.
She listened to him coldly, but with attentive obedience. She felt thoroughly deflated by his harshness, while admitting to herself that she should have paid more heed to the warning of Head of S.
All this had been something of a challenge and she was pleased when she felt she attracted and interested him, as she knew intuitively that she did.
Then at a hint that they were finding pleasure together, a hint that was only the first words of a conventional phrase, he had suddenly turned to ice and had brutally veered away as if warmth were poison to him.
She felt hurt and foolish. Then she gave a mental shrug and concentrated with all her attention on what he was saying. She would not make the same mistake again.
The odds against the banker and the player are more or less even. He paid a million francs for it and his capital has been reduced to twenty-four million.
I have about the same. There will be ten players, I expect, and we sit round the banker at a kidney-shaped table. The banker plays two games, one against each of the tableaux to left and right of him.
In that game the banker should be able to win by playing off one tableau against the other and by first-class accountancy. I shall be sitting as near dead opposite Le Chiffre as I can get.
In front of him he has a shoe containing six packs of cards, well shuffled. The cards are shuffled by the croupier and cut by one of the players and put into the shoe in full view of the table.
It would be useful, but almost impossible, to mark all the cards, and it would mean the connivance at least of the croupier. Anyway, we shall be watching for that too.
The banker announces an opening bank of five hundred thousand francs, or five hundred pounds as it is now.
Then Number 2 has the right to take it, and if he refuses, then Number 3, and so on round the table. If no single player takes it all, the bet is offered to the table as a whole and everyone chips in, including sometimes the spectators round the table, until the five hundred thousand is made up.
It may take some time, but in the end one of us is bound to break the other, irrespective of the other players at the table, although they can, of course, make him richer or poorer in the meantime.
For a while they ate in silence, then they talked of other things while the coffee was served. Neither of them drank brandy or a liqueur.
Finally, Bond felt it was time to explain the actual mechanics of the game. In this game, I get two cards and the banker gets two, and unless anyone wins outright, either or both of us can get one more card.
The object of the game is to hold two or three cards which together count nine points, or as nearly nine as possible.
Court cards and tens count nothing; aces one each; any other card its face value. It is only the last figure of your count that signifies.
So nine plus seven equals six — not sixteen. Five is the turning point of the game. According to the odds, the chances of bettering or worsening your hand if you hold a five are exactly even.
If he has a natural, he turns them up and wins. Otherwise he is faced with the same problems as I was. But he is helped in his decision to draw or not to draw a third card by my actions.
If I have stood, he must assume that I have a five, six, or seven: And this card was dealt to me face up. On its face value and a knowledge of the odds, he will know whether to take another card or to stand on his own.
He has a tiny help over his decision to draw or to stand. But there is always one problem card at this game — shall one draw or stand on a five and what will your opponent do with a five?
Some players always draw or always stand. I follow my intuition. The prospect of at least getting to grips with Le Chiffre stimulated him and quickened his pulse.
He seemed to have completely forgotten the brief coolness between them, and Vesper was relieved and entered into his mood. He paid the bill and gave a handsome tip to the sommelier.
Vesper rose and led the way out of the restaurant and out on to the steps of the hotel. The big Bentley was waiting and Bond drove Vesper over, parking as close to the entrance as he could.
As they walked through the ornate ante-rooms, he hardly spoke. She looked at him and saw that his nostrils were slightly flared. In other respects he seemed completely at ease, acknowledging cheerfully the greetings of the Casino functionaries.
Before they had penetrated very far into the main room, Felix Leiter detached himself from one of the roulette tables and greeted Bond as an old friend.
After being introduced to Vesper Lynd and exchanging a few remarks, Leiter said: Then perhaps we could come and watch you when your game starts to warm up.
Well, I shall leave you then. Now come with me and watch Number 17 obey my extra-sensory perceptions.
Bond was relieved to be on his own again and to be able to clear his mind of everything but the task on hand. He stood at the caisse and took his twenty-four million francs against the receipt which had been given him that afternoon.
He divided the notes into equal packets and put half the sum into his right-hand coat pocket and the other half into the left.
Then he strolled slowly across the room between the thronged tables until he came to the top of the room where the broad baccarat table waited behind the brass rail.
The chef de partie lifted the velvet-covered chain which allowed entrance through the brass rail. There were still three other empty places at the table.
Bond moved inside the rail to where a huissier was holding out his chair. He sat down with a nod to the players on his right and left. He took out his wide gunmetal cigarette case and his black lighter and placed them on the green baize at his right elbow.
The huissier wiped a thick glass ashtray with a cloth and put it beside them. Bond lit a cigarette and leant back in his chair.
He glanced round the table. He knew most of the players by sight, but few of their names. At Number 7, on his right, there was a Monsieur Sixte, a wealthy Belgian with metal interests in the Congo.
At Number 9 there was Lord Danvers, a distinguished but weak-looking man whose francs were presumably provided by his rich American wife, a middle-aged woman with the predatory mouth of a barracuda, who sat at Number 3.
Bond reflected that they would probably play a pawky and nervous game and be amongst the early casualties. He would play coldly and well and would be a stayer.
Bond asked the huissier for a card and wrote on it, under a neat question mark, the remaining numbers, 2, 4, 5, 8, 10, and asked the huissier to give it to the chef de partie.
Number 2, still empty, was to be Carmel Delane, the American film star with alimony from three husbands to burn and, Bond assumed, a call on still more from whoever her present companion at Royale might be.
With her sanguine temperament she would play gaily and with panache and might run into a vein of luck. Bond guessed they would be stayers. They both had a business-like look about them and were talking together easily and cheerfully as if they felt very much at home at the big game.
Bond was quite happy to have them next to him — Mrs. Du Pont sat at Number 5 — and he felt prepared to share with them or with Monsieur Sixte on his right, if they found themselves faced with too big a bank.
At Number 8 was the Maharajah of a small Indian state, probably with all his wartime sterling balances to play with. But the Maharajah would probably stay late in the game and stand some heavy losses if they were gradual.
Number 10 was a prosperous-looking young Italian, Signor Tomelli, who possibly had plenty of money from rack-rents in Milan and would probably play a dashing and foolish game.
He might lose his temper and make a scene. With the same economy of movement, he cut the thick slab of cards which the croupier had placed on the table squarely between his blunt relaxed hands.
Then, as the croupier fitted the six packs with one swift exact motion into the metal and wooden shoe, Le Chiffre said something quietly to him.
Le Chiffre crouched over the shoe. He gave it a short deliberate slap to settle the cards, the first of which showed its semi-circular pale pink tongue through the slanting aluminium mouth of the shoe.
Then, with a thick white forefinger he pressed gently on the pink tongue and slipped out the first card six inches or a foot towards the Greek on his right hand.
Then he slipped out a card for himself, then another for the Greek, then one more for himself. The two pink crabs scuttled out together and the Greek gathered the cards into his wide left hand and cautiously bent his head so that he could see, in the shadow made by his cupped hand, the value of the bottom of the two cards.
Then he slowly inserted the forefinger of his right hand and slipped the bottom card slightly sideways so that the value of the top card was also just perceptible.
His face was quite impassive. He flattened out his left hand on the table and then withdrew it, leaving the two pink cards face down before him, their secret unrevealed.
From the decision to stand on his two cards and not ask for another, it was clear that the Greek had a five, or a six, or a seven.
To be certain of winning, the banker had to reveal an eight or a nine. If the banker failed to show either figure, he also had the right to take another card which might or might not improve his count.
With his right hand he picked up the two cards and turned them face upwards on the table with a faint snap.
Le Chiffre had chosen the second course. The croupier slipped some counters through the slot in the table which receives the cagnotte and announced quietly:.
Bond lit a cigarette and settled himself in his chair. The long game was launched and the sequence of these gestures and the reiteration of this subdued litany would continue until the end came and the players dispersed.
Then the enigmatic cards would be burnt or defaced, a shroud would be draped over the table and the grass-green baize battlefield would soak up the blood of its victims and refresh itself.
Le Chiffre looked incuriously at him, the whites of his eyes, which showed all round the irises, lending something impassive and doll-like to his gaze.
He slowly removed one thick hand from the table and slipped it into the pocket of his dinner-jacket.